Posted 06 December 2012 - 02:48 AM
She was alright, although her character along with Rory stuck around too long. There was literally nothing for them to build up on so they had to introduce useless drama in order to make the characters feel less . . . well useless. I suppose it was all for the mid season finale but it was kinda painful while they were getting there. Although, the stories so far this season weren't going through any over-arching plot that was too annoying or complicated and they had their own unique feel to themselves. That I liked.
What annoys me the most though about how the series tend to go under Moffat is that he is trying to reintroduce the serial style of Doctor Who, 22 minutes each week, building up and up and up, leading you left and right until finally it all comes to a grand climax and a good resolution. Perhaps he's nostalgic. But he doesn't get to break his episodes up like that with the format he is working with. He gets 45 minutes to tell a story, start to finish. And what he does is cramp a lot of useless plot developments in along with the things that are quite good and all we get is this stuffed mess of different things that frankly don't need to be there in the first place.
Angels take Manhattan, despite being the better story of series 7 so far, has a lot of the problems I mentioned. Why was the art collector character even brought into this story? What purpose did he serve to the story as a whole? If he was so important, why did he have so little screen time? Why didn't they elaborate more on the ending of the episode, which was a sudden rush of impactful events that sort of end abruptly? What about the aftermath of those events? Why are things the way they are, what could have been said to eliminate the loop holes Moffat made in his story writing? WHAT HAPPENED TO RORY'S DAD FOR CRYING OUTLOUD? (Funny though, they did draft together a story board sequence since the fans sorta demanded it but explaining what happened to that character was never in Moffat's actual design)
The whole episode is riddled with things like this, along with some of the other episodes so fat. What we have is a bunch of reused themes and gimmick that we've already seen before in other Moffat stories like Silence in the Library, Blink and etc. that are slammed into a 45 minute long sardine can. Is it because Moffat can't trim the fat? Is it because he's nostalgic and wants to offer the viewers the same sort of episodic telling that he might have enjoyed when he watched the classic series? Is it because he's too concerned about the action and tricks and the shock value that he's forgotten that there needs to me a human aspect to all of this that is completely missing from all the "emotional" scenes? (I'm looking at you "The Girl Who Waited") I don't know. All I know is that Steven Moffat, although a good writer, can't go without someone checking up on him from time to time. He needs to be filtered out with writing that compliments his own, adds to what he is lacking overall like in previous seasons when RTD was the head writer. Otherwise it's just like George Lucas with Star Wars all over again, running around with his "vision" of what Doctor Who should be.